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Lynn Kozlowski has a collection of short fiction, Historical
Markers, forthcoming from elimae books. He has published
fiction in The Quarterly, Pif, Malahat Review, Blue Moon Review, Linnaean Street, Pig Iron Malt, Vestal Review, Pindeldyboz, Tatlin's Tower, and elimae. He has published
poetry in the Transatlantic Review and HMS Beagle. He has published scientific writings in places such as Science, Nature, Journal of the American Medical Association, and The New England Journal of Medicine. He is a professor at Penn State University.
Three Times Out Lynn Kozlowski
Meadow
He took off early from work and got me out of school.
He got us as quick as he could up into the woods. We took old logging
roads to the crossing of a small brook. When the road ended, he stopped
on the road. He waited to let me put rubber bands over the ends of my
pants and to spread a bug repellent on my hands and face. He even let
me wear this hat I'd sent away for that had fine netting coming down
from the brim on all sides. "Do what you want, " he said,
"but get going with it." I followed him through the woods
going as fast as he did. We went along by a narrow brook, coppery and
dark in the old forest. The ferns glowed green from lines of sun getting
through. He stopped to wait and started again when I caught up with
him. I was breathless trying to keep up. Black flies were gathering
around us. The trail went into a broad opening one step from the woods
into an open meadow with sunny sky and separate white clouds. At the
edge of the meadow was a beaver dam with water backed up against a mound
of peeled sticks. The coppery water turned black in the channel. The
meadow was filled to its sides. The trees in the middle were dead and
stripped as if from a fire. The ground was boggy around the spread pond's
edge. Thick grass came up between the woods and the pond, beaver-gnawed
stumps here and there in the field. He walked into the water. "Come
on," he said. He said, "If you get wet, you get wet."
He walked into the water up to his waist. Berries were ripe all over
a mossy rise next to me. The clouds and sky were reflecting off the
dark smooth water. Lily pads spread out into the pond. He walked by
a stand of alders and cracked off a brittle limb to get by. He was getting
himself next to the slow channel. He baited his hook with worms--no
slick business with a fancy fly. He sank his line. Branches and mud
were tangled in the cool water. He said, "Get in. Come on. Today.
Today."
Woods
He is showing me. He takes out his compass and shows
me how to pick a mark to hit, and we head for it. He is shaping out
an angled route to get us back by dark. Snowshoes are work. Bearpaws,
he calls them, oblong hoops criss-crossed with lacquered gut. We are
alone in the woods, bright with a new inch of snow. In a clearing, a
deer is quiet on its side, blood sprayed all around, her throat torn.
Steam rises from her snout. My father strokes her side like she is a
horse he cares about that is down. He lifts her front leg to get her
on her back. He pulls his knife a few times over her belly. The skin
tears apart along the line of strokes. He moves the doe back on her
side, and a bag slips out onto the snow. He works his knife on that
bag and a wet, fully-shaped fawn opens up out onto the snow. Steam comes
off it in a cloud. The snow where it lands melts into slush. The fawn
is hairless and rubbery looking. It shifts and settles, as if trying
to get comfortable. Its eyes are sealed under skin. A miniature deer,
a rare find, perfect. My father stands up and looks around the woods.
Shadows from the woods come over the deer. My father arranges the little
one out next to the doe. He lays them out in kind of a picture, both
on their sides, legs stretching out straight. For himself, he cuts off
the tail of the doe. "Here," he says, and, in one cut, he
makes me a little deer's foot. The stump beads with blood. The muscle
gathers from the nub of bone. There is nothing to what he hands me--skin,
soft bone. He walks fast, to make up time, me working to keep up. We
get as far as the first road back. I am out of breath. I can't just
drop it. This stump of leg is nothing I want. I shake it at him, behind
his back. I can't let go. Letting it go is more than I can do.
Camp
We left the rifles lying out, lightly oiled and empty,
side by side on the long tables, and went back into the sleeping room,
following the men who had the lanterns. I was let to use a cot next
to my father's bed way back by the wood-stove. Nobody had pillows, except
one fat old guy who had two. I balled up a flannel shirt to use. That's
the kind of thing I saw most everyone doing. My father rolled out his
sleeping bag over his bed and went back to playing at cards in the kitchen.
The older men grunted as they sat. They stripped off boots and socks
and moved them down to the stove. Longjohns was as naked as these men
got. The far lantern was choked off. One of my uncles came in with a
pail of water for the deer mice. He propped a board for a runway up
over the edge, to end just one small mouse jump away from an apple in
the middle. The apple was stuck through with a stiff wire and fixed
to hang there over the center of the bucket. My uncle spun the apple.
I had never slept in a room with no ceiling or no inside walls. It was
a long room, pine-knotted, its details lost in the dark pitch of the
roof. No proper walls facing in. No interior roof over my head. The
lantern by the stove was choked off. The stove was bringing sweat up
into the air from boots and socks. Rowed out on each side of the room
were brothers and uncles and cousins and other men and boys I had never
been out with anywhere before. Some guy was ripping out big snores.
Some guy kept up making a fast blowing sound. A mouse spun off into
the water. Above me in the dark rafters, I heard pecking at wood. I
pulled down into the sleeping bag, to warm my head and muffle out the
noise--closing in the musty smell of the bag. In the heavy air, I tried
to close myself down into sleep. I had hoped to go all night without
turning out over onto the floor or doing some other dumb thing, but
I woke toward morning--having to take a leak, having to try to do a
quiet get up and walk out into the cold to the outhouse from the farthest
end of the room to do that from. I heard a mouse drop into the water.
One man stopped up his steady snoring, then gasped a huge breath, and
started ripping away hard again. It was starting to become gray in the
room. My father turned over toward me. His sour breath carried over
into my mouth. Heavy breaths washed over into my face. I saw detail
rise on my father's face as the daylight came up. I watched him sleep
without turning away, neither of us turning away, me seeing the hard
hair forced out through his sleeping skin. He made faces. Expressions
passed in and out across his face. His eyes swept around under their
lids. He winced and snarled and clacked his teeth. I watched him until
the first blank opening of his eyes, the opening of his eyes before
anything came to his focus, before he blinked and rubbed his eyes and
saw me there in room that was rousing all around us--my eyes closing
to open a few moments after his.
© 2002 by Lynn Kozlowski
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