Red Transferware
posted Apr 26, 2011
The pagoda's roof curls beyond a lake-view glazed in reproduction
pink on serveware matched to the butter dish, the gravy boat, the
once-a-year feast — no Villeroy & Boch, but good enough, herr doktor,
to fake that recherché look. Pastorals stand for the village, and
candles, like black trees in the Brothers Grimm, script happiness
we
could drown in.
*
Ladies inked on ironstone
sleep the sleep of the dead. We hear their hearts clink
with elegant thrift. We hear their forks tuned
to another orbit.
*
The foxhole
with its grass selvage
limns a hunger
thin as bleeding-edge prints.
*
White rose, red ranunculus.
Red rose, ganglion of wires.
White asparagus, red coulis, cool arrangements,
dinners like driftwood in the ark of hospitable:
surfeits of terror and pleasure.
*
Before the first snow, before the last course,
maleficium settles in our lungs. We swallow bitter
like good guests. The red line
hems our plates.
*
Of bindweed or fluorishes, nothing to say about the hand's elaboration.
Of creamware, only stacked and brittle confusion.
We bargain daylight out of black bread.
*
1756:
Copper etched with scenes from Britannia or East Asia.
Manors and pheasants. Peppercorn-prints.
2010:
Where nothing had lived we built an altar of porticos.
Set the cows in good stead against the beadboard hutch /
paperwhites / ginger jar / cake plate.
*
Josiah Spode:
what crockery
what England
what codex drawn
in scalloped borders?
Red tide nothing like Hokusai.
The house weathers an eye
that won't rest.
*
Scoured with salt and lemon
the tea stain dissipates.
*
We set the table with transferware.
Pretended women could speak.
When the willow swept past us,
no summons,
no cyclone
but this—
©
Cerise Press. For more on her and her work, check out her website.
is a co-editor ofWe published Rigby’s poem “Black Roses” in Issue 31.