Red Transferware

posted Apr 26, 2011

The pagoda's roof curls beyond a lake-view glazed in reproduction
pink on serveware matched to the butter dish, the gravy boat, the
once-a-year feast — no Villeroy & Boch, but good enough, herr doktor,
to fake that recherché look. Pastorals stand for the village, and
candles, like black trees in the Brothers Grimm, script happiness
we could drown in.

*

Ladies inked on ironstone
sleep the sleep of the dead. We hear their hearts clink
with elegant thrift. We hear their forks tuned
to another orbit.

*

The foxhole
with its grass selvage
limns a hunger
thin as bleeding-edge prints.

*

White rose, red ranunculus.
          Red rose, ganglion of wires.
                    White asparagus, red coulis, cool arrangements,
dinners like driftwood in the ark of hospitable:
          surfeits of terror and pleasure.

*

Before the first snow, before the last course,
maleficium settles in our lungs. We swallow bitter
like good guests. The red line
hems our plates.

*

Of bindweed or fluorishes, nothing to say about the hand's elaboration.
Of creamware, only stacked and brittle confusion.

We bargain daylight out of black bread.

*

1756:

Copper etched with scenes from Britannia or East Asia.
Manors and pheasants. Peppercorn-prints.

2010:

Where nothing had lived we built an altar of porticos.

Set the cows in good stead against the beadboard hutch /
paperwhites / ginger jar / cake plate.

*

Josiah Spode:

what crockery
what England
what codex drawn
in scalloped borders?

Red tide nothing like Hokusai.

The house weathers an eye
                       that won't rest.

*

Scoured with salt and lemon
the tea stain dissipates.

*

We set the table with transferware.
Pretended women could speak.

When the willow swept past us,
no summons,
no cyclone
but this

Karen Rigby is a co-editor of Cerise Press. For more on her and her work, check out her website.

We published Rigby’s poem “Black Roses” in Issue 31.