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Impostor Theory
Mary Donnelly
If words can never express, why even lunge for the pen or drive, for that
matter, she said, if everything separate from is dependent upon the thing
towards which it rebels
and on and on she went like a good imposter,
known only to herself and those academic cads of criticism. Better to
think happy thoughts instead: the time, it will never be
right, the dress will have eaten the bag, and hope has dried up its
own eternal spring such that there inevitably springs to mind an overwhelming
act of philosophical grace: we float in a sea of inadequate, like the
brine they raise babies in, all hydroponic predicate, but such, that no
one notices. It feels, instead, copacetic to them, so warm
and wet. You see, I'm not really an imposter, but I play one on TV:
the phony British accent, the foulard tie and arched brow, the board-certified
psychiatrist's degree. I'm the dumb bunny who unwittingly takes in the
beautiful schizophrenic, the very same blonde who conceals her morning
medicine in stretch jean pockets, who fantasizes we're
in love, though I'm a weathered old shoe of a man with a bad case of
blue-blooded lockjaw. She thanks me with dinner for helping her through
the death of her cancer-ridden dad, until I watch the pornography of
myself over and over again with awe and lust and dream that I too could
produce such gum.
© Mary Donnelly
Mary Donnellys poetry has appeared in Open City, Crowd and Nerve and is forthcoming in 5AM. She co-directs the Reading Between
A and B poetry series in New York City and currently lives in Brooklyn, NY.
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