Peter
Markus has
published his short fictions in recent issues of
Black Warrior Review, Quarterly West, New Orleans
Review, Flyway,
Quarter After Eight, Faultline, Barnabe Mountain
Review, as well as in
two anthologies,
American Poetry: The Next Generation from
Carnegie
Mellon University Press and
The Best of the Prose Poem brought
out by
White Pine Press. His book of fictions Good, Brother is
forthcoming this
April from the AWOL Arts Collective. A short film based on the title
story is also currently being shot.
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Our
Father Who Walks On Water Comes Home With Two Buckets Of Fish
Peter
Markus
We watch our father walk on water. He is
walking across it. Our father is crossing this dirty river that runs
through this dirty river town. He is crossing the river, coming back
from the river's other side. We see that he has, hanging from each of
his muddy hands, a muddy bucket. When it is us, his sons, that he sees
are doing the watching, our father walks up to face us. He sets those
muddy buckets down onto the ground. We look at those buckets. When we
look down inside them, we see how each is filled up to the rusty brim
with fish. Supper, our father says. We each take up a bucket and follow
our father home. Us brothers, his sons, mudding through the mud, walking
in the tracks of our father's muddy boots. We watch him walk into the
kitchen without first taking off his muddy boots. We follow him doing
the same. The kitchen floor, with mud all over it, has never looked so
shiny. Mother, our father barks out. Then he calls to her by her name.
We don't say anything about our mother. What we do is fetch a frying
pan. We fetch it from her cupboard and put it on her stove. Our father
sees this. He sees this and begins going at the fish with his knife. He
is first cutting off their heads, then their tails, then going down each
with the blade up inside. What is inside the fish comes slushing out.
What is inside the fish is now down on the floor. We fry what is left in
the pan with some lard. Then to us our father says something. He says
something else and calls for our mother. But he gets no answer, only his
echo, made empty by the emptier house. He looks at us, shrugs. Again, we
do not say a thing about our mother. Again, our father shrugs.
After we are done with the eating, it is us brothers who do the cleaning
up. We take what's left off from our plates and we scrape what's
left into the trash. The dirty dishes, slick with lard, we pile these up
in the sink. The parts on the floor—heads and bones and the inside
rest—these we take outside, out to the back yard. We bury some of what
is left in holes that us brothers dig. The heads we hammer into the
creosote-coated telephone pole that's in the back of our back yard. We
look at their eyes catching light from the moon. It is the sound of us
hammering that brings our father outside. When he asks us where is our
mother, one of us whispers, Fish, and the other one mutters, Moon. To
this our father nods, then heads off down in the direction of the river.
We follow him. And without so much as a word or a wave goodbye, we watch
our father walk back across the river to the river's other side,
walking and walking and walking on, until he's nothing but a sound the
river sometimes makes when a stone is skipped across it. |
© 2001 by Peter Markus
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